~*~ Eight of Spades ~*~

33. aro/ace. Generic vaguely fandom stuff, with sporadic Murderbot, Locked Tomb, Arknights, and Bungo. Hoyoverse sideblog @theabysscomeshome

Rolling in 15 minutes late to pinned posts. Here will be my custom fandom tags, because I am allergic to touching the main tags.

Recent fandoms:

Arknights (f: powered by apocalypse ore)

The Locked Tomb Series (f: the inherent eroticism of bones)

  • Gideon/Harrow (r: i wanted you to eat me)

Bungo Stray Dogs (f: raise your hand if you’re NOT an orphan with a tragic past)

  •     Dazai/Chuuya (r: twin baggage)

Genshin Impact (f: pay no attention to the gods behind the curtain)

Honkai Impact 3rd (f: this is a story about love and it will end with love)

Other fandoms:

Read More »

stanwixbuster:

jynx absolutely fascinates me as a game dev because they’re like. inspiration but in the opposite way of literally everything they’ve ever done

jynx decided they want to make touhou-like shmups, and decided to approach this by building most patterns around extremely fast bullets relying entirely on player reaction or having already seen a pattern before, infamously the most disliked and player-antagonistic way of approaching bullet hells

jynx added a great iteration on touhou-like shmups with flash bombing, an infinitely regenerating way to clear bullets if you put yourself in active danger in contrast to the use of bombs as a safe but finite resource, and then made sure you could only use it if you aren’t focusing your shots, which you spend over 90% of a touhou-like doing

jynx created “absurdly extra” stages just as a complete fuck you to the player. half of them are humanly impossible to complete

jynx’s version of character development is to add more characters. jynx will drop one of the most fascinating backstories you’ve ever heard that has groundbreaking and sweeping impacts on len'en lore, yet somehow being entirely consistent with it, and then proceed to do literally nothing and minutes later introduce another character with one of the most fascinating backstories you’ve ever heard. len'en has 40+ characters and all of them have been in perpetual Big Things Are Coming hell for over half a decade

jynx has spent over an alledged 15 years working on the world and lore in mugenri and the outside world, desperately wants to share this and continually mentions the short stories and lore dumps they write, which we never see, because they have somehow convinced themself the only way to show this story is through touhou-likes, which are notable for showing “story” as an excuse for people to shoot bullets at each other

jynx treats feature creep like an arms race. there isn’t a single idea they come up with that doesn’t end up in a game or is planned to at a later date. len'en 4 is still technically unfinished despite it having enough paths to dwarf all the previous len'en games combined thrice over and featuring the entire cast of the series in it (i will stress again, 40+ characters), and they’ve promised a dlc with even more stuff to do

jynx wanted to make a mobile cafe management simulator after having made nothing but bullet hell shmups on pc, just because it sounded fun, realised their previous tools couldn’t make mobile games well, realised they’d be going in entirely blind on a new tech stack, realised they’d be going in blind on a genre they have no experience with, decided to tag on a second entire game to the cafe management with a turn-based rpg, realised they also have no experience with that genre, continued anyway, learnt how to use unity from the ground up, realised the multitude of issues unity development brings, decided every single character also needed to be in this one with unique boss battles, realised the problems of having 40+ character assets and 5min+ music themes in a mobile game that very infamously is a platform you need to stick to strict asset and tech limitations, decided to stream in assets from a server, made it a live service game because it would be online and that was an obvious next step, stuck through it, totalling in five years of dev time to make a full “gacha” game that is generous beyond belief and makes them a net zero in ad revenue vs server costs

jynx iterates nothing. literally everything you see in their games is the first go and if it sucks, too bad

jynx creates all their music with default fl studio sounds and the touhou trumpet. everything’s unmixed. they earnestly believe that loud = better

jynx, allegedly, “blacks out” when making music after hitting some kind of flow state, and wakes up with a complete track. like everything else, these are never iterated on

jynx wrote the entirety of len'en 4’s 100,000+ word script in one week. i don’t even have a funny comment for this one

jynx doesn’t think len'en would fit the format of a visual novel despite the fact len'en 4 has a 100,000+ word script

jynx refuses to collab with anyone for any reason. motives unclear

jynx did three 12 hour back-to-back livestreams crunching to finish book of the cafe. literally no part of this is a good idea

jynx is like the quintessential representation of everything you shouldn’t do as a game dev. they should have burnt out years ago and been remembered as nothing but a random quirky touhou ripoff that was an interesting yet janky interpretation but ultimately went nowhere and YET here we are coming in to len'ens decade anniversary

how the fuck is jynx a real person. why am i so obsessed with everything they’ve ever made

lalage:

image

for the longest time i silently admired arknights char designs / art but resisted getting into it for many reasons. i am bad at tower defense. i do not wish to fall into the swamp of another gacha game obsession. i am tired of learning a new game, etc

in the end my tipping point was. tails

cerastes:

image

Whereas Kroos will get on a knee to get a better shooting stance on S2 with a serious expression in her base skin, she flashes a sunny smile, puts a hand on her hip, and hip-fires her crossbow in her new skin instead.

“How is she rapid-firing a crossbow she visibly reloads between single shots out of skill?” She’s Kroos and she can do whatever she wants.

kallistoi:

ruinedrhombus:

image

i hope we both die

[image description: a digital illustration of harrow and ianthe from the locked tomb series. they sit facing each other in a pool of blood, both bloodstained. ianthe reaches out to touch harrow’s chin, smiling thinly at her. harrow looks back tiredly.]

nana-glass-chillhop-radio-hour:

I’ll miss Camilla and Palamades until the day I die but I do really really really enjoy the way that every aspect of Paul’s performance of gender feels like it was discussed by Cam and Pal until they were able to arrive at a mutually-agreeable solution. Like Paul’s gender has been workshopped by the Gender Working Group (consisting of Camilla and Palamades with Paul acting as notetaker) and they’ve reached a really exciting consensus on it.

prokopetz:

prokopetz:

I don’t want video games to let me choose whether my character has Penis A or Penis B, I want them to administer a comprehensive twelve-part questionnaire about how I think elves reproduce and procedurally generate a set of genitals based on my answers.

This post has attracted the expected number of this-is-just-Homestucks, but I have several questions for the person who tagged it #pokemon mystery dungeon.

a-green-onion:

curiositypollz:

In a fantasy/scifi series with queer characters, which do you prefer? (all options are assuming it’s done respectfully)

no queerphobia, I want it to be treated like it was always normal

no queerphobia, but due to a history of queers overcoming this

some light queerphobia, I like seeing ppl overcome it, but nothing horrible

decent queerphobia, to see people overcome it

I dont care either way

I prefer a fake world with queerphobia for other (non-bigoted) reasons

I don’t consume scifi or fantasy enough to care

See Results

This poll is a bit different but I’m curious about it and that’s why I made the blog so ¯\_(ツ)_/¯

follow for more occasional dumb polls :)

since I know this might be a viewpoint some people havent seen before, here’s the explanation for the ‘I want queerphobia in my fake worlds’:

Keep reading

trick question. if queerphobia wasn’t a thing in Baru Cormorant the entire narrative would fall apart, and if queerphobia WAS a thing in Machineries of Empire, I would feel weird about wanting Nirai “predatory gay villain” Kujen to take me apart like I’m a broken watch. and I love both series equally and wholeheartedly. I want authors to do what works for the story they’re telling

(#DEPENDS ON THE STORY THE AUTHOR IS WRITING.#ALWAYS THE RIGHT ANSWER. via @eighthdoctor)

princess-of-purple-prose:
“toxicdogs:
“She is though, isn’t she.
”
[ID: A digital painting of Kiriona/Gideon from The Locked Tomb, split in half by her sword, which she holds by the hilt and lower part of the blade. On the left, Kiriona is in a white...

princess-of-purple-prose:

toxicdogs:

She is though, isn’t she. 

[ID: A digital painting of Kiriona/Gideon from The Locked Tomb, split in half by her sword, which she holds by the hilt and lower part of the blade. On the left, Kiriona is in a white Cohort uniform, skin graying and an iridescent wreath in her hair. Text to her side says “I am the righteous hand of God.” On the right, Gideon looks challengingly at the viewer where Kiriona’s eye is closed, outfit black and bones draped from her wrist. To her side are the words “and I am the devil you forgot.” End ID]